Greg Rivera - The Pleasure of Thought (1997)
A sketch for this Thursday.
Expressing the Indefinable
The content of this exhibition aims to express feelings of the indefinable. The concept that the indefinable still remains undefined but is expressed and further contextualised through familiar objects to become relatable among an audience
Wow. This artist statement is also, wow.
"DeCarava (pronounced dee-cuh-RAH-vah) turned his lens on the neighborhood of Harlem during the 1940s, ’50s and ’60s, depicting the everyday African American experience from an insider’s perspective.
His work, painterly studies of shadow and darkness, transcended racial boundaries, juxtaposing stark black-and-white tonality with highly impressionistic composition.
DeCarava was the first black photographer to receive a Guggenheim fellowship with the receipt of a $3,200 grant in 1952. His first major exhibit was at the Museum of Photographic Arts in San Diego in 1986; one decade later came a landmark solo retrospective at the Museum of Modern Art.”
I do not want a documentary or sociological statement. My goal is a creative expression, the kind of penetrating insight and understanding of Negroes which I believe only a Negro photographer can interpret. —Roy DeCarava
1. Man in Window
2. Subway Stairs, Two Men, New York
3. Ketchup Bottles, Table and Coat
4. Woman on Train
5. Window and Stove
6. Man with Portfolio
7. Mississippi Freedom Marcher, Washington D. C.
8. Kids God Bless
9. Man Coming Up the Subway Stairs
bustin out the crayons
When in danger or in doubt, run in circles, scream and shout.
Herman Wouk (via darksilenceinsuburbia)